Cursed, blessed, blasphemed.
Electric, empty, indifferent.
Pale, leaden, disrupted by clouds, lightning.
Fire red, dawn pink, placid, blue, immense, smog yellow.
In shock, in storm, in tears.
Skew, cut, in front.
Perforated with stars, cut from the cornices, streaked with trails, punctured by gas.
Desert, geographical, hollow.
Artificial, orthodox, blue.
Lysergic, chronic, metallic.
Little dance in the garden, in the attic or in a room.
Praised, investigated, questioned, teased, insulted, painted, scrutinised, humiliated, mocked, usurped, worn out, invoked, abused.
Low, tall, black, dazzling, naked.
Absurd, ironic, polite.
Virgin, winter, silent.
Over and by mistake.
Quali saranno le conseguenze economiche, politiche e sociali della pandemia? È questo il focus del nuovo numero della rivista che vede gli interventi, tra gli altri, di Chiara Saraceno, Michele Fusco,Emanuele Felice e Francesco Grilllo. In apertura, inoltre, l’intervista al premio Nobel della fisica 2019 Didier Queloz.
The Leonardo museums bear exceptional witness to the technological and industrial memory and constitute an instrument of dialogue and constant sharing between the company and the territory. They were born out of the awareness that a large part of the industrial culture of our time is not only produced by the great cultural and educational institutions, but is also formed within companies. Living, dynamic structures, corporate museums represent a point of reference for communities and territories, centres of industrial culture open to visitors, researchers, students, economic and cultural operators.Leggi Tutto